November 21, 2010

WSE10

WSE10: Winter Student Exhibition
November 29 - December 4, 2010
Artist's reception: December 1, 12:30-1:30pm

This annual student exhibition at the Wignall Museum of Contemporary Art features work from all art, photography and digital media classes. All work is chosen by faculty in each discipline and the exhibition features hundreds of the semester's best student works of art. This exhibition is organized by the Art and Photography Departments and is presented concurrently with What My Family Looks Like, a student exhibition presented in the Project Space.

November 20, 2010

Jackson Pollock

Jackson Pollock was an Abstract-Expressionist painter. He went to New York and studied at the Art Student League. Pollock was an alcoholic, and he went into therapy. However, Pollock was unwilling to share his problems with the therapist, so it had little effect in helping him. This rehabilitation experience nevertheless affected Pollock’s works. Pollock died of an alcohol-related car crash when he was 44.


Photograph of Jackson Pollock

Pollock’s works consisted of action paintings, works that are characterized by the dripping and pouring of paint directly on the canvas. He did not paint using an easel, but instead painted using the floor for which he was quoted saying that he needed the resistance of a hard surface. He also said that painting on the floor enabled him “to be a part of the painting”, because he could walk around it and paint on all four sides. The photographer Hans Namuth documented Pollock while working in his studio.

Photographs of Jackson Pollock working in his studio by Hans Namuth

It may be a good bet to say that for the casual art viewers (in contrast with art enthusiasts), deciphering the meaning of most of the abstract paintings produced is a difficult thing to do. With the artist’s philosophies, expressions, and feelings all contained on the canvas, interpreting the meaning of the work may seem like taking a look at someone’s countless and kaleidoscopic thoughts. On the other hand, representational works such as the ones in the Renaissance and Baroque Eras can easily be given an interpretation by most people.

These abstract paintings...

vs.

an image of a king

The ambiguous and vague nature of abstract-expressionist paintings allows the artist to conceal messages that people cannot easily see. Pollock might have done this to his painting entitled, Mural.

Can you see something?


The Smithsonian website has an article I have read just recently that talks about the alleged hidden name of Jackson Pollock painted in camouflage on his work, the Mural. The author of the article mentioned that it was his wife who first saw the letters “S-O-N” on the upper right area of the mural, “Then she realized JACKSON ran across the entire top. And finally she saw POLLOCK below that.”

Name of Jackson Pollock alleged to be on his painting, Mural.

http://www.smithsonianmag.com/multimedia/videos/Find-Pollocks-Name.html

It should be noted that this discovery is just a theory because of the lack of scientific evidences. Sue Taylor, an art historian from the Portland State University and who also has studied Pollock’s work the Stenographic Figure, said that “It’s feasible. Pollock would often begin with some sort of figurative device to which he would then respond—and eventually bury under layers of paint. Letters and numbers, moreover, frequently appear in works of the early 1940s."

It seems that there is still no scientific processes performed on Pollock’s Mural to verify this claim. It all the more adds to Pollock’s expressionistic aura as reflected on his works. Whether Pollock was just experimenting to see what he is capable of, or perhaps announcing something to the world, we cannot yet know. The only thing that is certain is Pollock is one of the best Modern artists that the world has ever seen.
Paolo Daren M. Baluyot
Art 5 Tues-Thurs

**All italicized quotes came from The Smithsonian online article:
http://www.smithsonianmag.com/arts-culture/Decoding-Jackson-Pollock.html?c=y&page=2


View my other post about the Spanish Heritage in the Philippines.
http://tesserae.blogspot.com/2010/10/spanish-heritage-in-philippines_24.html

November 11, 2010

Medievil Art

The mixture of German, Roman, and Islamic art is what we call Medievil Art. It brings a new excitement to the sculptures and paintings. These sculputures are forms that are not that easily recognizable and they usaully appear on corbels, bossoms, and capitals. The art usually contains real and imaginary animals and demons as well. For instance, here it looks like there are dragons going in circles eating their own tails. The art is very creative and interesting. Don't you think so?

November 10, 2010

2011 Student Invitational

Congratulations to all of the students selected for the 2011 Student Invitational Exhibition!

Donald Dreyer
Chris Hackworth
Rachel Hurton
Evert Munguia
Jaime Munoz
Rachel Alexis Parks
Jessica Pavone
Nicole Rodriguez
Cherie Savoie


Student Invitational 2011
April 16 – May 26, 2011
Artist's reception: April 20, 6-8pm

Chaffey College and the Wignall Museum proudly present the 34th annual student invitational exhibition, Student Invitational 2011, a juried exhibition featuring a select number of Chaffey College student artists. In this competitive program, the selected artists present new work in various media. The student artists are also trained in professional practices. This rigorous course culminates in an exhibition of work created during spring term at the Wignall Museum of Contemporary Art.

November 6, 2010

What My Family Looks Like

What My Family Looks Like
November 29 - December 4, 2010
Artist's reception: December 1, 12:30-1:30pm

Wignall Museum of Contemporary Art Project Space exhibition featuring student writing, photography, drawings, paintings, collages, sculpture or video that represent their families. The work is inspired by the 2010-2011 college book, The House on Mango Street by Sandra Cisneros. This exhibition is organized by One Book/One College and presented concurrently with WSE 2010, a student exhibition presented in the main gallery.

November 5, 2010

Boundary Lines

Boundary Lines, performance by Leslie Dick
Wignall Museum of Contemporary Art
November 10, 12:30-2pm, CAA-211
FREE and open to the public

In 1994, Leslie Dick wrote a short text which explored the experience of being a mother as an experience of loss, describing a series of moments of separation from her daughter, then two years old. In 2008, Leslie Dick's daughter Audrey made a video in which she (aged sixteen) stood in front of a projection of an old home movie of herself aged eight. Taking this visual superimposition as her point of departure, and regarding the performance as a delayed and displaced collaboration, Leslie Dick will present further thoughts on identification and the image, memory and time.