Last semester I had to visit a museum and write a paper on a piece of art that captured me. I had originally intended to write on Gravestone of a Woman and her Attendent from the Getty Villa Museum, however, found that at my trip to LACMA (the Los Angeles County Museum of Art) I was much more captured by a painting by Julius L. Stewart, called The Baptism. 
The scene of The Baptism is the image of a wealthy living room. Standing before the picture, one is looking as if through the front wall, just as if that were all that were missing. The back wall is lined with built in hard wood bookshelves. On the right extreme of the room is portrayed a beautiful window from which an amazing light is captured as it shines in on the guests and festivities. In the center left of the portrait and portrayed smaller so as to illustrate the distance in the scene, is the baby and supposed subject of the baptism, but not that of the portrait. On the lower right portion of the painting is portrayed the beautiful and frail mother of the infant child. She is uniquely captured as the image of weakness as she reclines, her extremely pale skin evidence of her exhaustion and ill health after the birth of her child. In her right hand she holds a purple lilac, symbolizing love for her child.
I was taken by this picture for several reasons. Firstly because the woman portrayed in it is the most beautiful and striking woman seated reclining in a lounge as the baptism of her newborn child is occurring. She is breathtaking even though she is illustrated as being exhausted and very pale. She is so remarkable looking that the sun, as painted shining in from the window behind her, seems to be back lighting her face and features and illuminating them beyond all else.
Although there are many other people, likely family members and close friends painted in attendance at this baptism, they are all diminished by comparison to this wondrous beauty of a woman who, even sickly after the birth of her child. exudes light, perseverance and humanity. I was struck by her eminent beauty, her pale yellowed cheeks and tired eyes not even able to focus on the events of the baptism, looking downward in subtle sanctity, ill perhaps, but at peace as a result that her beautiful baby would be forever saved as a result of this religious ceremony.
Overall, the painting The Baptism poses an interesting concept, that life delivers to all people, all cultures, all devotions, all religions, the same turns and twists. This is a powerful realization that overwhelms the viewer standing before this painting.