Patrons of the arts come in many forms and play an important role in contributing to artistic innovation and appreciation. A patron may provide financial assistance or can just be a spectator who likes to view their favorite works.
A government sponsor can also be a patron where civic sponsorship of art dates back even to ancient times such as Egypt during the 4th dynasty 2613-2494 BCE. The 4th dynasty kings were huge contributors to massive projects like the famous pyramids, the sphinx, and various other monumental projects.
Today, museums and art institutions like the New York foundation for the Arts (http://www.nyfa.org/) provide large grants to various organizations and individuals as part of an initiative to support aspiring artists. Artists may also find patrons by displaying them at special stores like the Los Angeles County Museum of Art Gift store. A particular collection that I found interesting there was a specially shaped glass bowl with luminous colors by Robin Provart Kelly, who studied with famous artists at the internationally renowned Pilchuck School of Glass. The glass bowl was displayed for art but could also be purchased to further support her artistic endeavors. Her biography impressively stated that she had 18 more pieces in a series called "New Paradigms" on permanent solo exhibition at Mount Fuji, Japan.
The world of art is priceless and conceivably beyond measure, yet in some cases a price tag does exist and may perhaps be used as an important patron act of benefiting the sponsored artist and their art. Unknowingly, society may be purchasing everyday items like furniture, desks, lamps, and vases and acting as a patron to those works. Throughout much of history, artists have speculatively created works for commercial purposes and resulted in attracting patrons and institutions, which still influence art today (Stokstad, xxxvii).